In a long and varied career, there may not be a film style that Roger Corman has left untouched. His is a legacy that defies classification but, if you were to try, Corman is probably most closely associated with his Gothic horrors and low-budget B-movie fare from the 50s and 60s. The Gothic horrors were... Continue Reading →
An Angel for Satan: Italy’s Gothic Film Movement Comes to a Close
Film historians love to define “Golden Ages”, periods in which certain genres, cultures, locales, and/or studios saw a boom in both the creation and the acceptance of their films. These “ages” provide a useful short form for discussion purposes but, not surprisingly, their boundaries are not clearly defined. The 1960s saw the emergence of a... Continue Reading →