Horror and Sci-Fi Stuff
In a long and varied career, there may not be a film style that Roger Corman has left untouched. His is a legacy that defies classification but, if you were to try, Corman is probably most closely associated with his Gothic horrors and low-budget B-movie fare from the 50s and 60s. The Gothic horrors were... Continue Reading →
At first glance, Antlers (2021) may appear to be just another standard monster movie but scratch below the surface and you'll find a dark complexity that is rare in modern horror. Set in a small, impoverished town in Oregon (but filmed in British Columbia, Canada), the film begins with a man and his young son being... Continue Reading →
Hosted movie shows have long been a staple for fans of the horror and sci-fi genres. These series date back to the 50s and 60s when notable hosts such as Vampira and Ghoulardi kept horror fans company while they watched genre films of the time. In the 80s and 90s, Elvira and Joe Bob Briggs... Continue Reading →
Two of my favourite genres are horror and comedy and occasionally when those two unintentionally intersect it can result in an unexpected treat. Such is the case with Birdemic: Shock and Terror, the 2010 (very independent) film which contains neither shock nor terror but does induce many unintentional laughs. The film’s marketing promises a horrifying... Continue Reading →
In honour of Burns Night which celebrates Scotland’s national poet, Robert Burns, today we look at Scottish horror film The Wicker Tree. Unfortunately, unlike the Scot’s famous bard, this film is nothing to be proud of. The Wicker Tree’s story is loosely tied to the classic The Wicker Man which was also directed by Robin... Continue Reading →
On the surface, Horror films and Christmas might seem to make odd bedfellows, but the contrast of a murderous rampage set against what is supposed to be a joy filled time of year just seems to amplify the fear. Case in point, the original Black Christmas (1974), which stands as one of my all-time horror... Continue Reading →
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